In the field of movie soundtracks, the neorealistic cinema found in Cicognini an absolute protagonist. The international success of "Sciuscià" ("Shoeshine") for which he signed the score that made him famous all over the world. Besides neorealistic cinema he composed the scores for immortal masterpieces of the italian comedy. A title for all? "Don Camillo" ("The little world of Don Camillo") by Duvivier.
Franco Bixio, Fabio Frizzi and Vincenzo “Vince” Tempera collaborated in composing several soundtracks for the italian cinema, ranging amongst the genres. Their greatest hits is the soundtrack of the movie “Fantozzi” ("White Collar Blues") by Luciano Salce (1975). Also the soundtracks of “Febbre da cavallo” ("Horse Fever") and “I quattro dell’apocalisse” ("Four of the Apocalypse"). The main theme of the movie “Sette note in nero” (7 Notes in Black) by Lucio Fulci was used by Quentin Tarantino in his masterpiece "Kill Bill vol. 1".
Italian comic band, formed by the musician, actor and cartoonist Claudio "Greg" Gregori and by the actor Max Paiella. Since 2002, they have participated in several italian tv programmes like "Mmmmh!", "Bla bla bla", "Maurizio Costanzo Show" and "Suonare stella".
He was a composer and a conductor and he started his career as a violinist. He conducted small and big orchestra in the first experimental tv programmes of the italian television. Starting from the 50s he dedicates himself to film music composition, creating more than 200 soundtracks. He arranged the works by other famous italian composers like Ennio Morricone, Armando Trovajoli, Nino Rota.
Eclectic composer who signed the soundtracks and the opening themes for many tv programmes and italo western, eurocrime, historical movies. He wrote the soundtrack of "Il grande attacco" ("The biggest battle"), directed in 1978 by Umberto Lenzi.
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